Exploring Themes Of The Shawshank Redemption English Literature Essay

Exploring Themes Of The Shawshank Redemption English Literature Essay Life is a mystery for those who find it hard to live it their own way, for those who live it as if the fate has chosen it for them. That is more of a compromise rather than a choice that people make to their lives driven by the awful situations that life put on them. Few find it hard to survive, few find it hard to sail against and there are few who remain stagnant for a while busy preparing a ship all those days waiting to sail through the streams moving in the favorable direction one day leading to a way to a new life of their own choice. The movie portrays all the possible choices that someone may think of and act to implement one. No one actually could imagine what life has for him or her in the next moment. Things may be worse and even dreadful to imagine. Sometimes, we are bound to accept the thing that comes to our way. People left with no choices rather than to accept it as it comes. However, that is not the end of it. They are free to create an opportunity with their creative instinct. The lead character in the movie have actually proved it to many in there, The Shawshank Prison that in life irrespective of all awful situations, we do always have two choices either we get busy living or get busy dying. Life has several options for everyone. It is up to people to identify the options and be strong in their mind to find a way to get busy living. All that matters is the choice you make and implement your strategic moves silently and carefully to own your dream in reality. Freedom is not just the physical presence that we make in the outside world; it is as versatile in its nature as our mind or heart is. Music brings your soul to harmony as it stays in your mind as well as in your heart. Music provides you with a way to attach yourself to your soul, to listen to your mind and set yourself free inside away from all worries. The movie talks about the life in prison and the choice that prisoners do make. Few cage their minds forever in the dark of prison. It is because of the fear or most often because they lost their hope of living in real sense forever. They forget to trust their abilities or perhaps never realize that they have the potential to do different things. However, those who remain open to hope and do not let the fear of circumstances rolling over them, makes it worth out of their knowledge and cleverness. Part 2: Analysis of how the movie presents the message or theme: By creating the films solid groundwork, the carefully chiseled screenplay paved the way for this films success. Frank Darabont outdoes himself with the extraordinary adaptation of Stephen Kings equally noteworthy novella, Rita Hayworth and Shawshank Redemption. In this novella, King demonstrates that he can break free from the genre he dominates and still produce a splendid piece of modern literature. The film mirrors the novella in many ways. While maintaining some of the poetic and touching dialogue of the novella, Darabont also proves that a films score can breed a great pact of emotional reaction from its audience, as dialogue does. The tale instigates with the trial of a young banker, Andy Dufrense, offended by incidental evidence, resulting in a conviction for the murder of his wife and her lover. After a quick conviction, Andy finds himself serving a life sentence at Shawshank prison, with no hope of promise. He exists in this prison only in outward show, keeping his mind free from the monotonous walls around him. Fear can hold you prisoner. Hope can set you free. His quite way about anything along with his professional excellence results in the gaining of respect from his fellow inmates as well as the Warden and security men, but most of all from Ellis Boyd Redding. Norten(the warden): You enjoy working in the laundry. Andy: No. Sir, not especially Norten: Perhaps you can find something more befitting a man of your education. (Andy associated Brooks in Shawshank prison library) The Shawshank Redemption. Dir. Frank Darabont. Wri. Stephen King, Prod. Niki Marvin.Columbia Pictures, 1994 Ellis, generally referred to as Red perhaps because he was an Irish, finds lucrative use of his commercial spirit within the drab walls of Shawshank by dealing in contraband and commodities rare to the boundaries of prison. Andys character and undeniable sense of hope causes Red to take a deeper look at himself, and the world around him. Andy proves to Red and the other inmates that he could thrill the conservative walls of Shawshank prison with music and at times with a hope to live and to drill a hole big enough to reach out as a freeman. Andy: I had  Mr. Mozart  to keep me company. [Points and taps his head.]  It was in here [Gestures over his heart]. That is the beauty of music. They cannot get that from you. Havent you ever felt that way about music? Red: Well, I played a mean harmonica as a younger man; Lost interest in it, though. Didnt make too much sense in here. Andy: No, here is where it makes the  most  sense. You need it so you do not forget. Red: Forget? Andy: That there are places in the world that arent made out of stone. They cannot get to something inside. They cannot touch. It is yours. Red: What are you talking about? Andy: Hope. The Shawshank Redemption. Dir. Frank Darabont. Wri. Stephen King, Prod. Niki Marvin.Columbia Pictures, 1994 While both Tim Robbins and Morgan Freeman shine as Andy and Red, respectively, the true display of acting lies within the plethora of remarkable supports from actors who easily disappear into their roles. James Whitmore, who portrays the elderly Brooks Hatlen, a man imprisoned for an unstated crime for so long that he finds himself attached to the Shawshank and the daily life he has lead. He finds it hard to manage with the outside world when set free from the prison. He commits suicide. Andy Red had a conversation over this Andy concluded. I guess it comes down to a simple choice. Get busy living or get busy dying. The Shawshank Redemption. Dir. Frank Darabont. Wri. Stephen King, Prod. Niki Marvin.Columbia Pictures, 1994 Andy had secret dream of getting away from the life of prison and he was continually gaining faith of the security men for almost 20 years with his financial tax saving tips along with the revival of Shawshank prison library. Nobody would have ever dreamt of what plans he carries on his mind. For 20 years, he kept digging a passage in his cell in night using a rock hammer and everything he did in those 20 years actually was a part of a long-term plan with the only objective of freedom. To live as a freeman was his right as he was innocent. He made his choice and lived up to it. Not only he planned things for him but also he did have a lot on his mind for his friend Mr. Red. Red has not been able to convince Rehabilitation officer of his innocence for last 20 years but after Andy proved his dreams to him. Red realized his abilities and been able to convince the officer with his mighty words. Rehabilitation Officer: Ellis Boyd Redding: your file says you have served 40 years of a life sentence. Do you feel you have been `rehabilitated? Red: `Rehabilitated? Well, now, let me see. You know, I do not have any idea what that means. Rehabilitation Officer: Well, it means that you are ready to rejoin society, to- Red: I know what you think it means, sonny. To me it is just a made-up word. A politicians word, so that young fellas like you can wear a suit and a tie and have a job. What do you really wanna know? Am I sorry for what I did? Rehabilitation Officer: Well, are you? Red: There is not a day goes by I do not feel regret. Not because I am in here; or because you think, I  should.  I look back on the way I was then: a young, stupid kid who committed that terrible crime. I want to talk to him. I want to try to talk some sense to him, tell him the way things are but I cannot. That kid is long gone and this old man is all that left. I have to live with that. `Rehabilitated? It is just a bullshit word. So go ahead and stamp your forms, sonny, and stop wasting my time. The Shawshank Redemption. Dir. Frank Darabont. Wri. Stephen King, Prod. Niki Marvin.Columbia Pictures, 1994 Part 3: Presentation of Analysis: An excellent piece of work by Mr. Frank Darabont, the proud director of a film with the name The Shawshank Redemption with a wonderful plot, a wonderful theme, the prominent music, visual script and acting. The Shawshank Redemption defines a genus, defies the odds, obliges the emotions, and brings an epoch of artistically high-ranking films.   To produce something of this scenery, a director must approach it in a most scrupulous manner, due to the delicacy of the process. Such an intimidating task requires an extremely capable artist with an indisputable managerial capacity and an acutely developed awareness of each element of art in the film to form a harmonious union, because this fusion determines the fate of the artists work. With work from vast display of talented scene designers, costume designers, composers, cinematographers, and various other Hollywood artists, the cast of The Shawshank Redemption had a muscular basis to work with. Anyone who trust his abilities and strongly desires to live his dreams and do have the courage to create an opportunity out of complex situations with the help of his skills win over the worst circumstances. The movie was a huge success as it got nomination for Oscars along with another 12 wins 13 nominations. In USA, the movie generated a gross income of $28,341,469.

A Strong Coding Foundation

The healthcare field involves the use of medical language in note taking and diagnosis. For a professional in this are it is necessary to have the coding skills. This paper will look at importance of understanding medical terminology and anatomy in attaining these skills.Effective CodingThe most significant step in a health care profession involves learning the common medical terminology and understanding the code’s meaning. This helps in correct diagnosis and performance of procedural codes written in medical language as in a physician’s notes, thus building the coder’s confidence.The American Academy of Professional Coder's (AAPC's) offers essential courses like Medical Terminology and Anatomy, for medical coding and billing and career preparation in a non-clinical medical profession. It uses the coder’s view to introduce students to the human body in a medical coding and reimbursement profession language. It also provides the certified professional code r (CPC) exam to assess this knowledge requirement.The seriousnessIt is important to take the medical terminology course seriously in order to gain a strong medical knowledge base by avoiding the rush through text, smash through quiz and cramming for exams to ensure long term retention of information. Alternatively, different study methods such as chunking, making mental notes, creating flash cards for a chapter and memorizing by association can be used. In addition, one can also focus more on challenging areas.Application to CPC ExamThe CPC exam’s open book is a great resource for preparation as it contains anatomy images which offer more understanding. Additionally, while taking the exam, confidence and quick movement through questions is of importance.An understanding of medical terminology and anatomy is also essential in the implementation ICD-10-CM and ICD-10-PCS which is more detailed and involves consistent terminology.ConclusionDue to the importance of knowledge termi nology and human anatomy all coders and medical records professionals should ensure that they possess it.ReferencesEricson, B., 2009. A Strong Coding Foundation: Build upon Medical Terminology andAnatomy for CPC Success. Retrieved from < http://healthinformation.advanceweb.com/Student-and-New-Grad-Center/Certifications-and-Credentials/A-Strong-Coding-Foundation.aspx> on 10th July, 2010.

Chien-Shiung Wu A Pioneering Female Physicist

Chien-Shiung Wu, pioneering female physicist, experimentally confirmed the beta decay theoretical prediction of two male colleagues. Her work helped the two men win the Nobel Prize, but she was not recognized by the Nobel Prize committee. Chien-Shiung Wu Biography Chien-Shiung Wu was born in 1912 (some sources say 1913) and was raised in the town of Liu Ho, near Shanghai. Her father, who had been an engineer before he participated in the 1911 revolution which successfully ended Manchu rule in China, ran a Girls School in Liu Ho where Chien-Shiung Wu attended until she was nine years old. Her mother was also a teacher, and both parents encouraged education for girls. Teacher Training and University Chien-Shiung Wu moved to Soochow (Suzhou) Girls School which operated on a Western-oriented curriculum for teacher training. Some lectures were by visiting American professors. She learned English there. She also studied science and mathematics on her own; it was not part of the curriculum she was in. She was also active in politics. She graduated in 1930 as valedictorian. From 1930 to 1934, Chien-Shiung Wu studied at the National Central University in Nanking (Nanjing). She graduated in 1934 with a B.S. in physics. For the next two years, she did research and university-level teaching in X-ray crystallography. She was encouraged by her academic advisor to pursue her studies in the United States, as there was no Chinese program in post-doctorate physics. Studying at Berkeley So in 1936, with the support of her parents and funds from an uncle, Chien-Shiung Wu left China to study in the United States. She first planned to attend the University of Michigan but then discovered that their student union was closed to women. She enrolled instead at the University of California at Berkeley, where she studied with Ernest Lawrence, who was responsible for the first cyclotron and who later won a Nobel Prize. She assisted Emilio Segre, who was later to win a Nobel. Robert Oppenheimer, later leader of the Manhattan Project, was also on the physics faculty at Berkeley while Chien-Shiung Wu was there. In 1937, Chien-Shiung Wu was recommended for a fellowship but she did not receive it, presumably because of racial bias. She served as Ernest Lawrences research assistant instead. That same year, Japan invaded China; Chien-Shiung Wu never saw her family again. Elected to Phi Beta Kappa, Chien-Shiung Wu received her Ph. D. in physics, studying nuclear fission. She continued as a research assistant at Berkeley until 1942, and her work in nuclear fission was becoming known. But she was not given an appointment to the faculty, probably because she was an Asian and a woman. At that time, there was no woman teaching physics at the university level at any major American university. Marriage and Early Career In 1942, Chien-Shiung Wu married Chia Liu Yuan (also known as Luke). They had met in graduate school at Berkeley and eventually has a son, nuclear scientist Vincent Wei-Chen. Yuan obtained work with radar devices with RCA in Princeton, New Jersey, and Wu began a year of teaching at Smith College. Wartime shortages of male personnel meant she got offers from Columbia  University, MIT, and Princeton. She sought a research appointment but accepted a non-research appointment at Princeton, their first female instructor of male students. There, she taught nuclear physics to naval officers.​ Columbia University recruited Wu for their War Research department, and she began there in March of 1944. Her work was part of the then-still-secret Manhattan Project to develop an atomic bomb. She developed radiation detecting instruments for the project, and helped solve a problem that stymied Enrico Fermi, and made possible a better process to enrich uranium ore. She continued as a research associate at Columbia in 1945. After World War II After the end of World War II, Wu received word that her family had survived. Wu and Yuan decided not to return because of the ensuing civil war in China, and then later did not return because of the communist victory led by Mao Zedong. National Central University in China had offered both of them positions. Wu and Yuans son, Vincent Wei-chen, was born in 1947; he later became a nuclear scientist. Wu continued as a research associate at Columbia, where she was appointed an associate professor in 1952. Her research focused on beta decay, solving problems that had eluded other researchers. In 1954, Wu and Yuan became American citizens. In 1956, Wu began to work at Columbia with two researchers, Tsung-Dao Lee of Columbia and Chen Ning Yang of Princeton, who theorized that there was a flaw in the accepted principle of parity. The 30-year-old parity principle predicted that pairs of right and left-handed molecules would behave in tandem. Lee and Yang theorized that this would not be true for weak force subatomic interactions. Chien-Shiung Wu worked with a team at the National Bureau of Standards to confirm the theory of Lee and Yang experimentally. By January 1957, Wu was able to reveal that K-meson particles violated the principle of parity. This was monumental news in the field of physics. Lee and Yang won the Nobel Prize that year for their work; Wu was not honored because her work was based on the ideas of others. Lee and Yang, in winning their award, acknowledged Wus important role. Recognition and Research In 1958, Chien-Shiung Wu was made a full professor at Columbia University. Princeton awarded her an honorary doctorate. She became the first woman to win the Research Corporation Award, and the seventh woman to be elected to the National Academy of Sciences. She continued her research in beta decay. In 1963, Chien-Shiung Wu experimentally confirmed a theory by Richard Feynman and Murry Gell-Mann, part of the unified theory. In 1964, Chien-Shiung Wu was awarded the Cyrus B. Comstock Award by the National Academy of Sciences, the first woman to win that award. In 1965, she published Beta Decay, which became a standard text in nuclear physics. In 1972, Chien-Shiung Wu became a member of the Academy of Arts and Sciences, and in 1972, was appointed to an endowed professorship by Columbia University. In 1974, she was named Scientist of the Year by Industrial Research Magazine.  In 1976, she became the first woman to be president of the American Physical Society, and that same year was awarded a National Medal of Science. In 1978, she won the Wolf Prize in Physics. In 1981, Chien-Shiung Wu retired. She continued to lecture and teach, and to apply science to public policy issues. She acknowledged the serious gender discrimination in the hard sciences and was a critic of gender barriers. Chien-Shiung Wu died in New York City in February of 1997. She had received honorary degrees from universities including Harvard, Yale, and Princeton. She also had an asteroid named for her, the first time such an honor went to a living scientist. Quote: â€Å"... it is shameful that there are so few women in science... In China there are many, many women in physics. There is a misconception in America that women scientists are all dowdy spinsters. This is the fault of men. In Chinese society, a woman is valued for what she is, and men encourage her to accomplishments yet she remains eternally feminine.† Some other famous women scientists include  Marie Curie,  Maria Goeppert-Mayer, Mary Somerville, and  Rosalind Franklin.

Essay My House Was Destroyed by Fire - 890 Words

December came quietly that year, not blinding us with a blanket of snow, but creeping through the landscape with a cold that ached in the bones. Every blade of grass was held captive by a sheath of frost, as were the glacial branches that scraped at my windows, begging to get in. It is indeed the coldest year I can remember, with winds like barbs that caught and pulled at my skin. People ceaselessly searched for warmth, but my family found that this year, the warmth was searching for us. My family had collected in the basement, a testament to tacky dà ©cor with a dash of dank- ness. Nevertheless, it was easily the warmest place in the house and all household activities were being conducted there that day. My dad was trying to†¦show more content†¦Ã¢â‚¬Å"Kids! The house is on fire! Get out, now!† he barked. I am hardly a fast runner, but I think I rivaled the pace of those December winds as I grabbed my brother and fled up the stairs. The nearest exit was the front door, and at first glance it seemed free of flames. My brother ran to the door first, and I watched him vanish into the safety of the outdoors with some relief. I followed, but before I stepped outside I turned my head to glance up to the third floor where I assumed the fire was. Enormous coils of flames crawled along the banisters, up the walls, and over the ceiling like fervent boa constrictors. I yelped at the very sight of it, tearing myself from the fire’s hypnosis and into the night. The family in its entirety collected in front of the house, and then without words disunited in different directions in search of help. Smoke drifted from underneath the roof, causing my dog to sniff the air and look around, quite confused. The fire truck arrived only to discover there was not a hydrant within reach, and a large pool of water was brought by another fire truck minutes later. The firefighters entered my house with hoses and axes, and neighbors, drawn by the flashing lights, began to collect outside. My friends tried to quell me when the firefighters axed my window, sending shards of glass twinkling to the ground and allowing clouds of smoke to escape my room like puffs from a giant cigarette. It took nearly two hours to conquer the flames andShow MoreRelated Symbolism in Farenheight 451 by Ray Bradbury Essay1302 Words   |  6 PagesThe title suggests two things having to do with fire, the hearth is a source of warmth and goodness, showing the positive, non-destructive side of fire. Whereas a salamander is a small lizard-like amphibian, and also in mythology, is known to endure fire without getting burnt by it. Perhaps the salamander is symbolic of Guy Montag, who is being described as a salamander because he works with fire, and endures it, but believes that he can escape the fire and survive, much like a salamander does. 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